Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Thursday, July 31, 2025

She Read the "Influence of A King" within 24 hours


She Read  the "Influence of A King" within 24 hours 


I gave a copy of captivating and riveting historical fiction, "Influence of A King" by Titi Horsfall to Precious Samuel, a young lady who is a student of the University of Uyo, Akwa Ibom State in Nigeria. And she couldn't stop reading it until the last page 319 within 24 hours.

"Oh! My God! This is unlike other Nigerian novels!" She exclaimed with excitement.

I was impressed by her appreciation of the lucid prose of the historical romance of Chad and Kanyam.

We agreed that the title was too subtle for such an enthralling love 💕 story of two captivating characters.

"My Faith and My Love," would have been more attractive to people to be anxious and curious to read the novel.

"Chad and Kanyam should have been a good title too," she said.

"She should consider the film adaptation," I said.

"Influence of A King" would have been an international bestseller if it was reviewed by The New York Times.

"I will like to review such exciting novels," she said.

About the novel:

The novel explores themes of faith, fate, and the power of choices set against the backdrop of global events like the Great Depression and World War II. It tells a love story that transcends cultural and social barriers, featuring characters Chad, an Englishman, and Kanyam, an African girl.

Key aspects of the novel:

Global Scope:

The story unfolds across England, America, and Nigeria, highlighting diverse perspectives and experiences.

Interracial Harmony and Religious Identity:

The novel explores the complexities of relationships between people from different backgrounds and religious beliefs.

Influence of Historical Events:

The narrative is intertwined with significant historical events.

#books
#fiction
#lovelife
#marriage
#Royalty
#kingofengland
#religion
#faith
#christianity
#romance
#england
#america
#nigeria
#WorldWarII
#victory

Sunday, August 18, 2013

Who Will Win the 2013 Nigeria Prize for Literature?

Prof. Femi Osofisan and Prof. Remi Raji are the foremost contenders.



Who Will Win the 2013 Nigeria Prize for Literature? 





It is really difficult for anyone to predict who will win the Nigeria Prize for Literature this year, even though only a couple of the writers who made the final shortlist are among the most accomplished poets in Nigeria. I can pick out the geniuses in poetry among them. When you have Prof. Femi Osofisan , aka Okinba Launko and Prof. Remi Raji in the same contest for the most coveted and richest literary prize in Africa, then it is not an easy task for the judges. The other 9 authors on the shortlist must also be good to have made the final list of 11 from the 201 entries, but only few of them have proved to be seasoned poets over the years. Personally, I don’t believe in prose writers becoming poets overnight so that they can compete for the poetry category of the Nigeria Prize for Literature which rotates annually among the four major genres of Prose Fiction, Poetry, Drama and Children's literature, especially when the cash prize is a whopping US$100, 000! That is enough to make anyone transform into Wole Soyinka overnight! 







On August 12th 2013, the Advisory Board for The Nigeria Prize for Literature approved the following shortlist of 11 out of the 201 books submitted for the 2013 edition of the prize. 




  • Letter Home and Biafran Nights by Akeh Afam
  • Symphony of Becoming by Eke Iquo
  • Birthcry by Nwakanma Obi
  • Wild Letters by Ogochukwu Promise
  • Globetrotter and Hitler’s Children by Ede Amatoritsero
  • Marsh Boy and Other Poems by Egbewo G’ebinyo
  • Length of Eyes by Gomba Obari
  • The Sahara Testaments by Ipadeola Tade
  • Seven Stations up the Stairwell by Launko Kinba (pen name for Femi Osofisan)
  • Through the Window of a Sandcastle by Nnadi Amu
  • Sea of My Mind by Raji Remi
The list was arrived at after three months of intensive scrutiny by the panel of judges for this year’s prize, led by Professor Romanus Egudu, a renowned poet, literary critic and former President, Association of Nigerian Authors. He is of the Department of English at Godfrey Okoye University, Enugu. Other members of the panel are Prof. Omolara Ogundipe of Department of English, University of Port-Harcourt, Rivers State and Dr. Andrew Abah of Department of English, Benue State University, Makurdi, Benue State.

The Advisory Board led by its chairman Professor Emeritus Ayo Banjo announced that the final shortlist will be released soon. Other members of the Advisory Board are Professor Ben Elugbe, former President, Nigerian Academy of Letters and Dr. Jerry Agada, former President of the Association of Nigerian Authors and one time Minister of State for Education




The Nigeria Prize for Literature has since 2004 rewarded eminent writers such as Gabriel Okara (co-winner, 2004, poetry), Professor Ezenwa Ohaeto (co-winner, 2004, poetry); Ahmed Yerima (2005, drama) for his classic, Hard Ground; Mabel Segun (co-winner, 2007, children’s literature) for her collection of short plays Reader’s Theatre; Professor Akachi Adimora-Ezeigbo (co-winner, 2007, children’s literature) with her book, My Cousin Sammy; Kaine Agary (2008, prose); Esiaba Irobi (2010, drama) who clinched the prize posthumously with his book Cemetery Road; Adeleke Adeyemi (2011, children’s literature) with his book The Missing Clock; and Chika Unigwe (2012 – prose), with her novel, On Black Sister’s Street.

The Nigeria Prize for Literature rotates yearly amongst four literary genres: prose fiction, poetry, drama and children’s literature. The 2013 prize is for poetry and comes with a cash prize of $100, 000. Next year is drama.

Nigeria LNG Limited remains committed to responsible corporate citizenship and The Nigeria Prize for Literature is one of its numerous contributions towards building a better Nigeria.













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Monday, June 25, 2012

Anne Enright, Robert K. Massie, First Recipients of the Andrew Carnegie Medals for Excellence in Fiction and Nonfiction

25 Jun 2012 05:00 Africa/Lagos Anne Enright, Robert K. Massie, first recipients of the Andrew Carnegie Medals for Excellence in Fiction and Nonfiction ANAHEIM, Calif., June 25, 2012 /PRNewswire/ -- The American Library Association (ALA) is proud to announce the first recipients of the Andrew Carnegie Medals for Excellence in Fiction and Nonfiction, funded through a grant from Carnegie Corporation of New York. Anne Enright's The Forgotten Waltz received the medal for fiction and Robert K. Massie's Catherine the Great: Portrait of a Woman received the nonfiction prize. The medals recognize the best in fiction and nonfiction books for adult readers published the previous year in the United States. The selections were unveiled during the ALA Annual Conference in Anaheim, Calif. This is the first time that the ALA, which sponsors the prestigious Youth Media Awards, including the John Newbery and Randolph Caldecott Medals for children's literature, is offering single-book awards for adult trade fiction and nonfiction. Andrew Carnegie Medals for Excellence in Fiction and Nonfiction winners and finalists were selected based on the expert judgment and insight of library professionals who work closely with adult readers. This is a departure from most major book awards, which are judged by writers and critics. In Enright's The Forgotten Waltz, published by W. W. Norton & Company, the vicissitudes of extramarital love and the obstructions to its smooth flow—including spouses, children, and the necessary secrecy surrounding an affair—are charted in sharp yet supple prose. In a year without a Pulitzer Prize in fiction, this award becomes even more meaningful for the literary community. Massie's Catherine the Great: Portrait of a Woman, published by Random House, an imprint of the Random House Publishing Group, is a compulsively readable biography of the fascinating woman who, through a combination of luck, personality, and a fine mind, rose from her birth as a minor German princess to become the Empress of all the Russias. "Congratulations to Anne Enright, Robert K. Massie and our finalists," said Nancy Pearl, high-profile librarian, NPR commentator and chair of the Andrew Carnegie Medals for Excellence in Fiction and Nonfiction selection committee. "We are so excited to have such a talented and deserving group of authors for our inaugural awards." The medals are made possible by a grant from Carnegie Corporation of New York and are co-sponsored by ALA's Booklist magazine and the Reference and User Services Association (RUSA). "In many ways, librarians are the first book critics many readers come into contact with, and hence we are deeply thankful for their insight and guidance," said Vartan Gregorian, president of Carnegie Corporation of New York and a former president of the New York Public Library. "The Andrew Carnegie Medals for Excellence in Fiction and Nonfiction take that notion one step further and place the librarians' seal of approval on these wonderful books." Enright and Massie each receives a medal and $5,000, and each finalist receives $1,500. Nonfiction finalists include The Information: A History, a Theory, a Flood, by James Gleick, published by Pantheon Books, a division of Random House, Inc., and Malcolm X: A Life of Reinvention, by the late Manning Marable, published by Viking Penguin, a member of Penguin Group (USA). Fiction finalists include Lost Memory of Skin, by Russell Banks, published by Ecco, an imprint of HarperCollins Publishers and Swamplandia!, by Karen Russell, published by Alfred A. Knopf, a division of Random House, Inc. For annotations and more information on the winners, finalists and the awards please visit http://www.ala.org/carnegieadult . Members of the 2012 Andrew Carnegie Medals for Excellence in Fiction and Nonfiction inaugural selection committee include: Chair, Nancy Pearl; A. Issac Pulver, director, Saratoga Springs (N.Y.) Public Library; Nonny Schlotzhauer, librarian, Collection Development/Social Sciences, The Pennsylvania State University, University Park, Pa.; Danise Hoover, associate librarian, Public Services, Hunter College Library, New York; Brad Hooper, editor, Adult Books, Booklist, Chicago; Donna Seaman, senior editor, Adult Books, Booklist, Chicago; and Rebecca Vnuk, editor, Reference and Collection Management, Booklist, Chicago. About Carnegie Corporation of New York Carnegie Corporation of New York was created by Andrew Carnegie in 1911 to promote the advancement and diffusion of knowledge and understanding. In keeping with this mandate, the Corporation's work focuses on the issues that Andrew Carnegie considered of paramount importance: international peace, the advancement of education and knowledge, and the strength of our democracy. About Booklist Booklist is the book review magazine of the American Library Association, considered an essential collection development and readers' advisory tool by thousands of librarians for more than 100 years. Booklist Online includes a growing archive of 135,000+ reviews available to subscribers as well as a wealth of free content offering the latest news and views on books and media. About Reference and User Services Association (RUSA) The Reference and User Services Association is responsible for stimulating and supporting excellence in the delivery of general library services and materials, and the provision of reference and information services, collection development, readers' advisory, and resource sharing for adults, in every type of library. About the ALA Established in 1876, the American Library Association (ALA) is a non-profit 501(c)(3) organization created to provide leadership for the development, promotion, and improvement of library and information services and the profession of librarianship in order to enhance learning and ensure access to information for all. SOURCE American Library Association CONTACT: Brittnie Mabry, +1-212-260-3401, brittnie.mabry@widmeyer.com, or Macey Morales, Manager Media Relations, ALA, +1-312-280-4393, mmorales@ala.org Web Site: http://www.ala.org

Tuesday, March 22, 2011

Memories of Another Day



"Memories of Another Day".

I stood across the street looking at the ramshackle place. I was waiting to see if she still lived there. then, I heard the barking dog. The barks of Gringo! My heart was throbbing. She still kept my dog. I wanted to run across the street straight into the house. But, something held me back. Then, I saw Charlie, Thomas and Chuck on their Honda motorbikes as they rode to the side of the street. They were all in their denim jackets, pants and boots. Blue jeans and black boots.
"Jenny!" Charlie shouted aloud in his husky voice.
The others laughed. They must be drunk.

The sun was going down behind the Windmills.

Then Gringo responded with his barks. I thought Jenny would soon appear. An old woman walking with the aid of a stick came out. They regarded her without saying a word. Thomas coughed. That same old cough. I thought he told me he stopped smoking? He looked ill.
I swallowed lumps of saliva.
"Jenny is gone."
I heard the old woman.
"Jenny gone? Gone where?"
Charlie, the self-appointed ring leader asked and gnashed his teeth. Thomas spat. Chuck snarled.

"She's gone to New Orleans," the old woman replied and quietly sat down on the bench nearby.

Jenny had gone to New Orleans?
To see me?
But, I told her to wait for me.
That I was coming to pay all I owed the boys.

"Damn the naughty woman and damn Johnny!" Charlie yelled.

The old woman just looked up at him and turned away to pay attention to Gringo as the dog barked at Charlie.
"Sharrap!" Charlie yelled at the dog and spat in fury.
"Let's go boys. We are going to New Orleans!"
He jumped on his bike and the others too.

I waited until, I couldn't see their backs as they rode out. Then, I walked across the street.
"Good evening Ma'am," I greeted the old woman.
She looked and before she could say a word, Gringo pranced up to welcome me with a yelp and wagging the tail.
"yeah," she replied.
"Is Jenny home?"
"Yes."
I heard the voice from within the house.
A voice I couldn't mistake for any other voice. The voice of the only woman who never rejected me. the voice of the woman who suffered untold humiliation for my sake. And she never gave up on me all these years. The voice of the only woman I have vowed to spend the rest of my life with.
I did not wait for her to come out. I rushed inside and as she saw me she fell into my longing arms and we embraced.
The End.


~ By Orikinla Osinachi on Sunday, October 16, 2005



Saturday, January 22, 2011

The Red Room � by H.G. Wells


Photo Credit: Muppet on Photobucket.

The Red Room � by H.G. Wells


"I can assure you," said I, "that it will take a very tangible ghost to frighten me." And I stood up before the fire with my glass in my hand.
"It is your own choosing," said the man with the withered arm, and glanced at me askance.
"Eight-and-twenty years," said I, "I have lived, and never a ghost have I seen as yet."
The old woman sat staring hard into the fire, her pale ayes wide open. "Ay," she broke in; "and eight-and-twenty years you have lived and never seen the likes of this house, I reckon. There�s a many things to see, when one�s still but eight-and-twenty." She swayed her head slowly from side to side. "A many things to see and sorrow for."

I half suspected the old people were trying to enhanve the spiritual terrors of their house by their droning insistence. I put down my empty glass on the table and looked about the room, and caught a glimpse of myself, abbreviated and broadened to an impossible sturdiness, in the queer old mirror at the end of the room. "Well," I said, "if I see anything tonight, I shall be so much the wiser. For I come to the business with an open mind."
"It�s your own choosing," said the man with the withered arm once more.
I heard the sound of a stick and a shambling step on the flags in the passage outside, and the door creaked on its hinges as a second old man entered, more bent, more wrinkled, more aged even than the first. He supported himself by a single crutch, his eyes were covered by a shade, and his lower lip, half averted, hung pale and pink from his decaying yellow teeth. He made straight for an arm-chair on the opposite side of the table, sat down clumsily, and began to cough. The man with the withered arm gave this new-comer a short glance of positive dislike; the old woman took no notice of his arrival, but remained with her eyes fixed steadily on the fire.
"I said - it�s your own choosing," said the man with the withered arm, when the coughing had ceased for a while.
"It�s my own choosing," I answered.

The man with the shade became aware of my presence for the first time, and threw his head back for a moment and sideways, to see me. I caught a momentary glimpse of his eyes, small and brigth and inflamed. Then he began to cough and splutter again.
"Why don�t you have a drink?" said the man with the withered arm, pushing the beer towards him. The man with the shade poured out a glassful with a shaky arm that splashed half as much again on the deal table. A monstrous shadow of him crouched upon the wall and mocked his action as he poured and drank. I must confess I had scarce expected these grotesque custodians. There is to my mind something inhuman in senility, something crouching and atavistic; the human qualitites seem to drop from old people insensibly day by day. The three of them made me feel uncomfortable, with their gaunt silences, their bent carriage, their evident unfriendliness to me and to one another.
"If," said I, "you will show me to this haunted room of yours, I will make myself comfortable there.

The old man with the cough jerked his head back so suddenly that it startled me, and shot another glance of his red eyes at me from under the shade; but no one answered me. I waited a minute, glancing from one to the other.
"If," I said a little louder, "if you will show me to this haunted room of yours, I will relieve you from the task of entertaining me."
"There�s a candle on the slab outside the door," said the man with the withered arm, looking at my feet as he addressed me. "But if you go to the red room to-night-"
("This night of all nights!" said the old woman.)
"You go alone."
"Very well," I answered. "And which way do I go?"
"You go along the passage for a bit," said he, "until you come to a door, and through that is a spiral staircase, and half way up that is a landing and another door covered with baize. Go through that and down the long corridor to the end, and the red room is on your left up the steps."
"Have I got that right?" I said, and repeated his directions. He corrected me in one particular.
"And are you really going?" said the man with the shade, looking at me again for the third time, with that queer, unnatural tilting of the face.
("This night of all nights!" said the old woman.)

"It is what I came for," I said, and moved towards the door. As I did so, the old man with the shade rose and staggered round the table, so as to be closer to the others and to the fire. At the door I turned and looked at them, and saw they were all close together, dark against the firelight, staring at me over their shoulders, with an intent expression on their ancient faces.
"Good-night," I said, setting the door open.
"It�s your own choosing," said the man with the withered arm.
I left the door wide open until the candle was well alight, and then I shut them in and walked down the chilly, echoing passage.

I must confess that the oddness of these three old pensioners in whose charge her ladyship had left the castle, and the deep-toned, old fashioned furniture of the housekeeper�s room in which they foregathered, affected me in spite of my efforts to keep myself at a matter-of-fact phase. They seemed to belong to another age, and older age, and age when things spiritual were different from this of ours, less certain; an age when omens and witches were credible, and ghosts beyond denying. Their very existence was spectral; the cut of their clothing, fashions born in dead brains. The ornaments and conveniences of the room about them were ghostly - the thoughts of vanished men, which still haunted rather than participated in the world of to-day. But with an effort I sent such thoughts to the right-about. The long, draughty subterranean passage was chilly and dusty, and my candle flared and made the shadows cower and quiver. The echoes rang up and down the spiral staircase, and a shadow came sweeping up after me, and one fled before me into the darkness overhead. I came to the landing and stopped there for a moment, listening to a rustling that I fancied I heard; then, satisfied of the absolute silence, I pushed open the baize-covered door and stood in the corridor.

The effect was scarcely what I expected, for the moonlight, coming in by the great window on the grand staircase, picked out everything in vivid black shadow or silvery illumination. Everything was in its place: the house might have been deserted on the yesterday instead of eighteen months ago. There were candles in the sockets of the sconces, and whatever dust had gathered on the carpets or upon the polished flooring was distributed so evenly as to be invisible in the moonlight. I was about to advance, and stopped abruptly. A bronze group stood upon the landing, hidden from me by the corner of the wall, but its shadow fell with marvellous distinctness upon the white panelling, and gave me the impression of someone crouching to waylay me. I stood rigid for half a minute perhaps. Then, with my hand in the pocket that held my revolver, I advanced, only to discover a Ganymede and Eagle glistening in the moonlight. That incident for at time restored my nerve, and a procelain Chinaman on a buhl table, whose head rocked silently as I passed him, scarcely startled me.

The door to the red room and the steps up to it were in a shadowy corner. I moved my candle from side to side, in order to see clearly the nature of the recess in which I stood before opening the door. Here it was, thought I, that my predecessor was found, and the memory of that story gave me a sudden twinge of apprehension. I glanced over my shoulder at the Ganymede in the moonlight, and opened the door of the red room rather hastily, with my face half turned to the pallid silence of the landing.

I entered, closed the door behind me at once, turned the key I found in the lock within, and stood with the candle held aloft, surveying the scene of my vigil, the great red room of Lorraine Castle, in which the young duke had died. Or, rather, in which he had begun his dying, for he had opened the door and fallen headlong down the steps I had just ascended. That had been the end of his vigil, of his gallant attempt to conquer the ghostly tradition of the place; and never, I thought, had apoplexy better served the ends of superstition. And there were other and older stories that clung to the room, back to the half-credible beginning of it all, the tale of a timid wife and the tragic end that came to her husband�s jest of frightening her. And looking around that large shadowy room, with its shadowy window bays, its recesses and alcoves, one could well understand the legends that had sprouted in its black corners, its germinating darkness. My candle was a little tongue of flame in its vastness, that failed to pierce the opposite end of the room, and left an ocean of mystery and suggestion beyond its island of light. I resolved to make a systematic examination of the place at once, and dispel the fanciful suggestions of its obscurity before they obtained a hold upon me. After satisfying myself of the fastening of the door, I began to walk about the room, peering round each article of furniture, tucking up the valances of the bed, and opening its curtains wide. I pulled up the blinds and examined the fastenings of the several windows before closing the shutters, leant forward and looked up the blackness of the wide chimney, and tapped the dark oak panelling for any secret opening. There were two big mirrors in the room, each with a pair of sconces bearing candles, and on the mantelshelf, too, were more candles in china candlesticks. All these I lit one after the other. The fire was laid, an unexpected consideration from the old housekeeper - and I lit it, to keep down any disposition to shiver, and when it was burning well, I stood round with my back to it and regarded the room again. I had pulled up a chintz-covered armchair and a table, to form a kind of barricade before me, and on this lay my revolver ready to hand. My precise examination had done me good, but I still found the remoter darkness of the place, and its perfect stillness, too stimulating for the imagination. The echoing of the stir and crackling of the fire was no sort of comfort to me. The shadow in the alcove at the end in particular had that undefinable quality of a presence, that odd suggestion of a lurking, living thing, that comes so easily in silence and solitude. At last, to reassure myself, I walked with a candle into it, and satisfied myself that there was nothing tangible there. I stood that candle upon the floor of the alcove, and left it in that position.

By this time I was in a state of considerable nervous tension, although to my reason there was no adequate cause for the condition. My mind, however, was perfectly clear. I postulated quite unreservedly that nothing supernatural could happen, and to pass the time I began to string some rhymes together, Ingoldsby fashion, of the original legend of the place. A few I spoke aloud, but the echoes were not pleasant. For the same reason I also abandoned, after a time, a conversation with myself upon the impossibilty of ghosts and haunting. My mind reverted to the three old and distorted people downstairs, and I tried to keep it upon that topic. The sombre reds and blacks of the room troubled me; even with seven candles the place was merely dim. The one in the alcove flared in a draught, and the fire�s flickering kept the shadows and penumbra perpetually shifting and stirring. Casting about for a remedy, I recalled the candles I had seen in the passage, and, with a slight effort, walked out into the moonlight, carrying a candle and leaving the door open, and presently returned with as many as ten. These I put in various knick-knacks of china with which the room was sparsely adorned, lit and placed where the shadows had lain deepest, some on the floor, some in the window recesses, until at last my seventeen candles were so arranged that not an inch of the room but had the direct light of at least one of them. It occurred to me that when the ghost came, I could warn him not to trip over them. The room was now quite brightly illuminated. There was something very cheery and reassuring in these little streaming flames, and snuffing them gave me an occupation, and afforded a helpful sense of the passage of time. Even with that, however, the brooding expectation of the vigil weighed heavily upon me. It was after midnight that the candle in the alcove suddenly went out, and the black shadow sprang back to its place there. I did not see the candle go out; I simply turned and saw that the darkness was there, as one might start and see the unexpected presence of a stranger. "By Jove!" said I aloud; �that draught�s a strong one!� and taking the matches from the table, I walked across the room in a leisurely manner to relight the corner again. My first match would not strike, and as I succeeded with the second, something seemed to blink on the wall before me. I turned my head involuntarily, and saw that the two candles on the little table by the fireplace were extinguished. I rose at once to my feet.

"Odd!" I said. "Did I do that myself in a flash of absent-mindedness?"
I walked back, relit one, and as I did so, I saw the candle in the right sconce of one of the mirrors wink and go right out, and almost immediately its companion followed it. There was no mistake about it. The flame vanished, as if the wicks had been suddenly nipped between a finger and thumb, leaving the wick neither glowing nor smoking, but black. While I stood gaping, the candle at the foot of the bed went out, and the shadows seemed to take another step towards me.

"This won�t do!" said I, and first one and then another candle on the mantelshelf followed. "What�s up?" I cried, with a queer high note getting into my voice somehow. At that the candle on the wardrobe went out, and the one I had relit in the alcove followed.

"Steady on!" I said. "These candles are wanted," speaking with a half-hysterical facetiousness, and scratching away at a match the while for the mantel candlesticks. My hands trembled so much that twice I missed the rough paper of the matchbox. As the mantel emerged from darkness again, two candles in the remoter end of the window were eclipsed. But with the same match I also relit the larger mirror candles, and those on the floor near the doorway, so that for the moment I seemed to gain on the extinctions. But then in a volley there vanished four lights at once in different corners of the room, and I struck another match in quivering haste, and stood hesitating whither to take it.

As I stood undecided, an invisible hand seemed to sweep out the two candles on the table. With a cry of terror, I dashed at the alcove, then into the corner, and then into the window, relighting three, as two more vanished by the fireplace; then, perceiving a better way, I dropped the matches on the iron-bound deedbox in the corner, and caught up the bedroom candlestick. With this I avoided the delay of striking matches; but for all that the steady process of extinction went on, and the shadows I feared and fought against returned, and crept in upon me, first a step gained on this side of me and then on that. It was like a ragged storm-cloud sweeping out of the stars. Now and then one returned for a minute, and was lost again. I was now almost frantic with the horror of the coming darkness, and my self-possession deserted me. I leaped panting and dishevelled from candle to candle in a vain struggle against that remorseless advance. I bruised myself on the thigh against the table, I sent a chair headlong, I stumbled and fell and whisked the cloth from the table in my fall. My candle rolled away from me, and I snatched another as I rose. Abruptly this was blown out, as I swung it off the table, by the wind of my sudden movement, and immediately the two remaining candles followed. But there was light still in the room, a red light that stayed off the shadows from me. The fire! Of course I could still thrust my candle between the bars and relight it!
I turned to where the flames were still dancing between the glowing coals, and splashing red reflections upon the furniture, made two steps towards the grate, and incontinently the flames dwindled and vanished, and as I thrust the candle between the bars darkness closed upon me like the shutting of an eye, wrapped about me in a stifling embrace, sealed my vision, and crushed the last vestiges of reason from my brain. The candle fell from my hand. I flung out my arms in a vain effort to thrust that ponderous blackness away from me, and, lifting up my voice, screamed with all my might - once, twice, thrice. Then I think I must have staggered to my feet. I know I thought suddenly of the moonlit corridor, and, with my head bowed and my arms over my face, made a run for the door.

But I had forgotten the exact position of the door, and struck myself heavily against the corner of the bed. I staggered back, turned, and was either struck or struck myself against some other bulky furniture. I have a vague memory of battering myself thus, to and fro in the darkness, of a cramped struggle, and of my own wild crying as I darted to and fro, of a heavy blow at last upon my forehead, a horrible sensation of falling that lasted an age, of my last frantic effort to keep my footing, and then I remember no more.

I opened my eyes in daylight. My head was roughly bandaged, and the man with the withered arm was watching my face. I looked about me, trying to remember what had happened, and for a space I could not recollect. I rolled my eyes into the corner, and saw the old woman, no longer abstracted, pouring out some drops of medicine from a little blue phial into a glass. "Where am I?" I asked; "I seem to remember you, and yet I cannot remember who you are."

They told me then, and I heard of the haunted red room as one who hears a tale. "We found you at dawn," said he, "and there was blood on your forehead and lips."
It was very slowly I recovered my memory of my experience. "You believe now," said the old man, "that the room is haunted?" He spoke no longer as one who greets an intruder, but as one who grieves for a broken friend.
"Yes," said I; "the room is haunted."
"And you have seen it. And we, who have lived here all our lives, have never set eyes upon it. Because we have never dared ... Tell us, is it truly the old earl who - "

"No,� said I; �it is not."
"I told you so," said the old lady, with the glass in her hand. "It is his poor young countess who was frightened - "
"It is not," I said. "There is neither ghost of earl nor ghost of countess in that room, there is no ghost there at all; but worse, far worse - "
"Well?" they said.
"The worst of all the things that haunt poor mortal man," said I; "and that is, in all its nakedness - Fear! Fear that will not have light nor sound, that will not bear with reason, that deafens and darkens and overwhelms. It followed me through the corridor, it fought against me in the room - "

I stopped abruptly. There was an interval of silence. My hand went up to my bandages. Then the man with the shade sighed and spoke. "That is it," said he. "I knew that was it. A power of darkness. To put such a curse upon a woman! It lurkes there always. You can feel it even in the daytime, even of a bright summer�s day, in the hangings, in the curtains, keeping behind you however you face about. In the dusk it creeps along the corridor and follows you, so that you dare not turn. There is Fear in that room of hers - black Fear, and there will be - so long as this house of sin endures.�


From the Twilight Harbor



Thursday, July 8, 2010

Tanure Ojaide and two other Nigerians Shortlisted for the Inaugural Penguin Prize for African Writing




Prolific poet and novelist Tanure Ojaide and two other Nigerians have been shortlisted for the Inaugural Penguin Prize for African Writing. The other Nigerians are Chika Ezeanya in the fiction category and Pius Adesanmi in the non-fiction category.

The following is a detailed report from Penguin Books in South Africa.


Penguin Books South Africa is delighted to announce the shortlists for the inaugural Penguin Prize for African Writing.

Having received approximately 250 submissions in the fiction category and 50 in the non-fiction category from countries all over Africa, Penguin Books South Africa is pleased to announce the names of the shortlisted authors for the inaugural Penguin Prize for African Writing. This award seeks to highlight the diverse writing talent on the African continent and make new African fiction and non-fiction available to a wider readership.

The shortlisted authors for the Penguin Prize for African Writing are:

Fiction

Ellen Aaku (Zambia)
Moraa Gitaa (Kenya)
Chika Ezeanya (Nigeria)
Shubnum Khan (South Africa)
Isabella Morris (South Africa)
Mũkoma wa Ngũgĩ (Kenya)

Non-fiction

Pius Adesanmi (Nigeria)
Andrew Barlow (South Africa)
Ruth Carneson (South Africa)
Ahmed Mortiar (South Africa)
Tanure Ojaide (Nigeria)
Anli Serfontein (South Africa)
Tebogo Tlharipe (South Africa)

These manuscripts have been sent to the judges and the winners will be announced on Saturday 4 September 2010 at the Mail and Guardian Literary Festival. The prize in each category will be R50 000 and a publishing contract with Penguin Books South Africa, with worldwide distribution via Penguin Group companies.

About the judges

Fiction

Kole Omotoso

Kole Omotoso was born in Nigeria in 1943. After studying in Nigeria, he obtained a doctorate on contemporary Arabic prose and dramatic writing at the University of Edinburgh. From 2001, he has been a professor in the Drama Department at Stellenbosch University, and is currently the director of the Africa Diaspora Research Group based in Johannesburg. In 2009, he was a judge for the Commonwealth Writers’ Prize Africa Region and was the keynote speaker on the festival’s opening night. He is the author of the classic historical narrative The Combat, first published in 1972 and republished in the Penguin Modern Classics series, as well as one short story collection, two plays, three books of literary criticism and several academic articles, novels and historical narratives.

Harry Garuba

Harry Garuba is the head of department and associate professor in the Centre for African Studies at the University of Cape Town. His teaching interests include: African Literature, Postcolonial Theory and Criticism, African Modernities, and Intellectuals/Intellectual Traditions of African Nationalist Writing. In addition to being an academic, he is an author and poet, and with an active interest in African and postcolonial literatures, has been a member of the editorial advisory board of the Heinemann African Writers Series.

Elinor Sisulu

Elinor Sisulu was born in Zimbabwe. She studied in her home country as well as in Senegal and the Netherlands. As an academic researcher for the Ministry of Labour in Zimbabwe in the early eighties, she published studies of women’s work and development assistance in Zimbabwe. This included a major study for NORAD that was later published by SAPES in a book entitled Women in Zimbabwe. From 1987 to 1990 she worked for the International Labour Organisation on assistance programmes for the ANC, PAC and SWAPO. In 1991, Elinor moved to Johannesburg and until 1998, worked as a freelance writer and editor, and as assistant Editor for SPEAK, a black feminist publication.

Her children’s book, The Day Gogo Went to Vote, a story about a child accompanying her grandmother to vote in the 1994 elections, won numerous awards, including the African Studies Association of America Best Children’s Book Award, and has been translated into 6 major South African languages. Her biography of Walter and Albertina Sisulu, Walter and Albertina Sisulu: In Our Lifetime, was published in 2002 and was runner up in the Sunday Times Alan Paton Award, and was awarded the NOMA Award for most outstanding book published in Africa in 2003. Elinor Sisulu is currently advising on projects on democracy and human rights in Zimbabwe.

Non-fiction

Redi Direko

Redi Direko was born in Soweto, Johannesburg. She studied for her first degree in Journalism and Communications, and English Literature at post-graduate level in Johannesburg. She has been a broadcast journalist for 11 years, having worked in both television and radio. She began her career as a reporter for Network Radio News and then Kaya FM, a Gauteng radio station. She went on to present a variety of programmes for the SABC and its Africa channel, where she interviewed people such as Thabo Mbeki, Tony Blair, Colin Powell, Archbishop Desmond Tutu and Nelson Mandela. She was the senior news anchor at eTV’s 24th satellite news channel, and has been a columnist for Fairlady magazine. She is currently the presenter of the Redi Direko Show on Talk Radio 702 and 567 Cape Talk and writes a weekly socio-political column for the Sowetan newspaper, while studying for her Master’s in Literature.

Nic Dawes

Nic Dawes has worked for the Mail & Guardian from 2004. Dawes joined the newspaper as associate editor from ThisDay newspaper. As an investigative and political reporter with editing duties, he was part of the team that broke the story linking police chief Jackie Selebi to the underworld networks surrounding Brett Kebble, and also contributed extensive news and analysis on politics and economic policy. He is now the editor-in-chief of the Mail & Guardian weekly, and Mail & Guardian Online.

Jonathan Jansen

Jonathan Jansen is honorary professor of education at the University of the Witwatersrand and Scholar-in-Residence at the Oprah Winfrey Leadership Academy for Girls in Johannesburg. He has worked as a high school science teacher and served as the dean of education at the University of Pretoria from 2001-2007. He obtained his MS in science education at Cornell University and his PhD from Stanford University as a Fulbright Scholar, and is widely regarded as one of the top researchers in the field of education.