Showing posts with label Nigeria Prize for Literature. Show all posts
Showing posts with label Nigeria Prize for Literature. Show all posts

Sunday, August 18, 2013

Who Will Win the 2013 Nigeria Prize for Literature?

Prof. Femi Osofisan and Prof. Remi Raji are the foremost contenders.



Who Will Win the 2013 Nigeria Prize for Literature? 





It is really difficult for anyone to predict who will win the Nigeria Prize for Literature this year, even though only a couple of the writers who made the final shortlist are among the most accomplished poets in Nigeria. I can pick out the geniuses in poetry among them. When you have Prof. Femi Osofisan , aka Okinba Launko and Prof. Remi Raji in the same contest for the most coveted and richest literary prize in Africa, then it is not an easy task for the judges. The other 9 authors on the shortlist must also be good to have made the final list of 11 from the 201 entries, but only few of them have proved to be seasoned poets over the years. Personally, I don’t believe in prose writers becoming poets overnight so that they can compete for the poetry category of the Nigeria Prize for Literature which rotates annually among the four major genres of Prose Fiction, Poetry, Drama and Children's literature, especially when the cash prize is a whopping US$100, 000! That is enough to make anyone transform into Wole Soyinka overnight! 







On August 12th 2013, the Advisory Board for The Nigeria Prize for Literature approved the following shortlist of 11 out of the 201 books submitted for the 2013 edition of the prize. 




  • Letter Home and Biafran Nights by Akeh Afam
  • Symphony of Becoming by Eke Iquo
  • Birthcry by Nwakanma Obi
  • Wild Letters by Ogochukwu Promise
  • Globetrotter and Hitler’s Children by Ede Amatoritsero
  • Marsh Boy and Other Poems by Egbewo G’ebinyo
  • Length of Eyes by Gomba Obari
  • The Sahara Testaments by Ipadeola Tade
  • Seven Stations up the Stairwell by Launko Kinba (pen name for Femi Osofisan)
  • Through the Window of a Sandcastle by Nnadi Amu
  • Sea of My Mind by Raji Remi
The list was arrived at after three months of intensive scrutiny by the panel of judges for this year’s prize, led by Professor Romanus Egudu, a renowned poet, literary critic and former President, Association of Nigerian Authors. He is of the Department of English at Godfrey Okoye University, Enugu. Other members of the panel are Prof. Omolara Ogundipe of Department of English, University of Port-Harcourt, Rivers State and Dr. Andrew Abah of Department of English, Benue State University, Makurdi, Benue State.

The Advisory Board led by its chairman Professor Emeritus Ayo Banjo announced that the final shortlist will be released soon. Other members of the Advisory Board are Professor Ben Elugbe, former President, Nigerian Academy of Letters and Dr. Jerry Agada, former President of the Association of Nigerian Authors and one time Minister of State for Education




The Nigeria Prize for Literature has since 2004 rewarded eminent writers such as Gabriel Okara (co-winner, 2004, poetry), Professor Ezenwa Ohaeto (co-winner, 2004, poetry); Ahmed Yerima (2005, drama) for his classic, Hard Ground; Mabel Segun (co-winner, 2007, children’s literature) for her collection of short plays Reader’s Theatre; Professor Akachi Adimora-Ezeigbo (co-winner, 2007, children’s literature) with her book, My Cousin Sammy; Kaine Agary (2008, prose); Esiaba Irobi (2010, drama) who clinched the prize posthumously with his book Cemetery Road; Adeleke Adeyemi (2011, children’s literature) with his book The Missing Clock; and Chika Unigwe (2012 – prose), with her novel, On Black Sister’s Street.

The Nigeria Prize for Literature rotates yearly amongst four literary genres: prose fiction, poetry, drama and children’s literature. The 2013 prize is for poetry and comes with a cash prize of $100, 000. Next year is drama.

Nigeria LNG Limited remains committed to responsible corporate citizenship and The Nigeria Prize for Literature is one of its numerous contributions towards building a better Nigeria.













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Friday, November 2, 2012

Chika Unigwe Wins $100,000 Nigeria Prize for Literature

Chika Unigwe.

Chika Unigwe has won the highly coveted Nigeria Prize for Literature for her novel On Black Sisters' Street.


Her novel competed against Only A Canvas by Olusola Olugbesan and Onaedo: The Blacksmith’s Daughter by Ngozi Achebe. The announcement was made by Emeritus Professor Ayo Banjo, Chairman of the Advisory Board who commended the prize winner's novel as “a work of outstanding merit”, while Professor Abiola Irele, Chair of Judges said: “What is striking about Chika Unigwe's novel is the compassion that informs it.”

Unigwe said when she saw the news on Twitter, she started crying.
Unigwe was born in Nigeria, but now lives in Belgium.
The Nigeria Prize for Literature is fully sponsored by the Nigeria LNG Limited.

Click here to read Toni Kan's interview with Chika Unigwe as she received the good news after the announcement on Thursday November 1, 2012.

Despite the horrors it depicts, “On Black Sisters' Street” is also boiling with a sly, generous humor. Unigwe is as adept at conveying the cacophony of a Nigerian bus as she is at suggesting the larger historical events that propel her characters. “On Black Sisters Street” marks the arrival of a latter-day Thackeray, an Afro-Belgian writer who probes with passion, grace and comic verve the underbelly of our globalized new world economy.

~ By Fernanda Eberstadt, Sunday Book Review of The New York Times, April 29, 2011.

Raw, vivid, unforgettable, and inspired by a powerful oral storytelling tradition, this novel illuminates the dream of the West—and that dream’s illusion and annihilation—as seen through African eyes. It is a story of courage, unity, and hope, of women’s friendships and of bonds that, once forged, cannot be broken.
~ Amazon.

On Black Sisters' Street tells the haunting story of four very different women who have left their African homeland for the riches of Europe—and who are thrown together by bad luck and big dreams into a sisterhood that will change their lives.

Each night, Sisi, Ama, Efe, and Joyce stand in the windows of Antwerp’s red-light district, promising to make men’s desires come true—if only for half an hour. Pledged to the fierce Madam and a mysterious pimp named Dele, the girls share an apartment but little else—they keep their heads down, knowing that one step out of line could cost them a week’s wages. They open their bodies to strangers but their hearts to no one, each focused on earning enough to get herself free, to send money home or save up for her own future.

Then, suddenly, a murder shatters the still surface of their lives. Drawn together by tragedy and the loss of one of their own, the women realize that they must choose between their secrets and their safety. As they begin to tell their stories, their confessions reveal the face in Efe’s hidden photograph, Ama’s lifelong search for a father, Joyce’s true name, and Sisi’s deepest secrets—-and all their tales of fear, displacement, and love, concluding in a chance meeting with a handsome, sinister stranger.

On Black Sisters' Street marks the U.S. publication debut of Chika Unigwe, a brilliant new writer and a standout voice among contemporary African authors.

Praise for On Black Sisters Street 


“Chika Unigwe writes with moral urgency nourished by a nuanced understanding of the human condition and prose that is elegantly calibrated. And for all the dark turns her work takes, On Black Sisters' Street is suffused with warmth, hard-won wisdom, and a deep compassion.” 
 —Chris Abani, author of Becoming Abigail and Song for Night
 “ [‘On Black Sisters Street’ is] boiling with a sly, generous humor. Unigwe is as adept at conveying the cacophony of a Nigerian bus as she is at suggesting the larger historical events that propel her characters. ‘On Black Sisters' Street’ marks the arrival of a latter-day Thackeray, an Afro-Belgian writer who probes with passion, grace and comic verve the underbelly of our globalized new world economy.”
--The New York Times Book Review  (*an Editors Choice selection in the 5/10 NYTBR)
 
“Powerful....The author's raw voice, unflinching eye for detail, facility for creating a complex narrative, and affection for her characters make this a must read.”
Publishers Weekly, starred review

"Gripping....As Unigwe tells her characters’ stories in interweaving narratives and time lines, the women embody depths of fear and displacement, as well as the will to survive and prosper."
--Booklist

“A novel of desperation, sexual exploitation, and, ultimately, sisterhood. … Unigwe has a talent for capturing the dashed dreams of young women who are stronger than they imagine. … The women’s personal stories are wrenchingly memorable.”
Library Journal

“In her English-language debut, the Nigerian-born Unigwe convincingly exposes an unfamiliar world without sentimentality. Capable drama that puts a human face on the scourge of human trafficking.”
Kirkus Reviews

“Spellbinding…combines a storyteller’s narrative flair with a reporter’s eye for grim, gritty details about the sex industry. … Nigerian-born Unigwe crafts her characters’ voices with crystalline prose and compassion, in a revelatory work as tough, humane and unsentimental as its heroines.”
MORE Magazine
“Chika Unigwe’s ON BLACK SISTERS STREET is a grand and compassionate and moving work of art. The best fiction succeeds when it allows a reader to open a door, step into a different world, look about and say, finally, I feel and know this place and these people as if I have visited many times before. Ms. Unigwe has done that for us with all the men and women of her new novel. We owe her much praise and much gratitude.”
Edward P. Jones, winner of the Pulitzer Prize

"Powerfully and gently, Unigwe gives voice to African women who walk the streets of their nightmares and dreams."
--Sefi Atta, author of Everything Good Will Come

“Chika Unigwe brings an ethnographic eye and masterful storytelling to bear on this complex portrait of African sex workers in Antwerp.  Her startlingly physical prose offers a fresh look at lives made and unmade between Europe and Africa.”
--Mateo Taussig-Rubbo, University of Buffalo

“Chika Unigwe has evoked a chilling, brutal, and terrifying world with warmth, compassion, and courage. The voices of degraded African women are clearly heard, their bodies vividly rendered, their sorrows deeply understood, and their humanity ultimately realized. On Black Sisters Street is a dark tale luminously told, a stunningly moving book.”
—Lee Siegel, author of Love in a Dead Language

“A probing and unsettling exploration of the many factors that lead African women into prostitution in Europe . . . an important and accomplished novel that leaves a strong aftertaste. Unigwe gives voice to those who are voiceless . . . and bestows dignity on those who are stripped of it.”
The Independent












Thursday, February 23, 2012

Nobel Laureate Wole Soyinka Endorses The Missing Clock


Prof. Wole Soyinka endorsing "The Missing Clock" with the author Adeleke "Mai Nasara" Adeyemi and others standing beside him.

The first African Nobel Prize winner for Literature, Prof. Wole Soyinka has endorsed The Missing Clock, the children’s book of Adeleke “Mai Nasara” Adeyemi, the winner of the 2011 Nigeria Prize for Literature sponsored by the Nigeria LNG Limited.









Wednesday, October 12, 2011

Adeleke Wins $100, 000 Prize For 'The Missing Clock'



Nigerian journalist, poet and dramatist Adeleke Adeyemi aka Mai Nasara has won the $100,000 Nigeria LNG Prize For Literature for his children's book The Missing Clock.



The Missing Clock, was judged the best among the 126 books entered for the competition. The judges described The Missing Clock as “a genial heartwarming account of how a young boy's simple acts inspire his family to fortune”.

Chairman of the panel of judges, Prof. Akachi Adimora-Ezeigbo of the University of Lagos and past co-winner of the prize, said “The Missing Clock celebrates ingenuity, hard work and sparkles in its prose.” She called Adeyemi, “a gifted story teller.”

Mai Nasara is the pen name of Adeleke Adeyemi, a journalist and science communicator with interests as varied as film/TV, tennis, poetry, girl-child education and leadership studies. His work promotes a number of causes, from malaria eradication, orphanage funding to long-term scholarship for girls, as well as the history of science, engineering and technology in Africa. Based on his conviction that "the stories people tell have a way of taking care of them," (Barry L. Lopez), he is at work to set up a network of libraries across Africa, starting in his native Nigeria

His first book "The Mandate of MKO Abiola", a play for the radio was published by Nigerian Times International.



Although his win guarantees him about N15 million, Adeyemi said his focus is on making one million copies of The Missing Clock available to readers by next year. He also plans to produce a comic version as well as an animated movie of his story.
“My plan has always been to use this story, which is timely, to help children grow as human beings. This is why money is not my motivation,” he said. “In fact, 10% of all proceeds from sales of the book will be used to fight malaria and promote girl-child education, especially in Northern Nigeria.”

The highly rated Nigeria Prize for Literature sponsored by the Nigeria LNG Limited, was initiated in 2004 to “improve the quality of writing, editing, proof-reading, and publishing in the country”.

The prize rotates yearly amongst four literary genres: prose fiction, poetry, drama and children’s literature.

Click here to order The Missing Clock from Amazon.


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Monday, March 21, 2011

The shortcomings of the Nigeria Prize for Literature



The shortcomings of the Nigeria Prize for Literature

The Nigeria Prize for Literature, endowed by the Nigeria Liquefied Natural Gas (NLNG) Limited is a great thing. It is an unprecedented initiative of immense benefit to Nigerian writers and the society for the appreciation of our literary culture.
I have been following the progress of the Nigeria Prize for Literature without any objection to the administration, but not impressed by the impact on the sustainable development of Nigerian literature. There is too much emphasis on the cash prize of $50,000 when the focus should be on promoting the revival of our reading culture for the intellectual development of the Nigerian society that is presently breeding philistines.

The Nigerian Prize for Literature has made the lucky winners richer, but it has failed to make us wiser, because many of the prizes winning books have not reached the majority of the Nigerian society, except the intelligentsia.
The Man Booker Prize, Orange Prize, Pulitzer Prize, Commonwealth Prize and other highly coveted literary awards increase the public appreciation of the winners and their books, but the Nigeria Prize for Literature has failed to make the winners bestsellers and becoming a bestselling author is the dream of every writer.
It looks like there is no budget for a comprehensive media plan for the Nigeria Prize for Literature, because there is no tangible publicity plan for the public appreciation of the winning books beyond the public announcements of the shortlisted authors, the winners and prize giving gala ceremonies. Everybody returns to business as usual after the events and the lucky winner of the $50, 000 prize smiles to the bank. But none of the prize winning books has become a bestseller and the author hardly goes on any book signing tour like in America, the UK or other countries where prize winning books become sought after collector’s items and sell like hot cakes.
What is the use of winning a book prize, but your book is not in demand?
The fact that is; the reading culture in Nigeria is still poor after the efforts of some individuals and groups to promote reading and President Goodluck Jonathan launched a widely publicized “Bring Back the Book” campaign.
The revival of our reading culture is a challenge to the administrators of the Nigeria Prize for Literature.
How can we use the prize to revive the general appreciation of reading in Nigeria?

May I advise the administrators of the Nigeria Prize for Literature to review the budget and the media plan and consider spending more on the promotion of the prize winning books to attract the attention and appreciation of the public.
The promotion of the winning book will attract more readers and boost our reading culture.
Invite the public to vote for the shortlisted books, because such an open invitation will be a good motivation for the public appreciation of the books and will definitely boost their interest to read them.

The Nigeria Prize for Literature needs more cooperation and support of the Nigerian news media to achieve more for the overall benefit of the Nigerian society. The Guardian and other Nigerian newspapers should learn from The New York Times, Washington Post, Los Angeles Times, the Guardian of the UK and others in America and Europe by dedicating more pages to literary appreciation such as initiating and promoting a Nigerian Bestsellers List for both fiction and non-fiction like New York Times: Best-Seller Lists, Book of the Month and other promotions that will go a long way to increase the public appreciation of the goals and objectives of the Nigeria Prize for Literature beyond the competition for the cash prize and the glitz of the ceremony.


~ By Ekenyerengozi Michael Chima