Showing posts with label short story. Show all posts
Showing posts with label short story. Show all posts

Saturday, January 22, 2011

The Red Room � by H.G. Wells


Photo Credit: Muppet on Photobucket.

The Red Room � by H.G. Wells


"I can assure you," said I, "that it will take a very tangible ghost to frighten me." And I stood up before the fire with my glass in my hand.
"It is your own choosing," said the man with the withered arm, and glanced at me askance.
"Eight-and-twenty years," said I, "I have lived, and never a ghost have I seen as yet."
The old woman sat staring hard into the fire, her pale ayes wide open. "Ay," she broke in; "and eight-and-twenty years you have lived and never seen the likes of this house, I reckon. There�s a many things to see, when one�s still but eight-and-twenty." She swayed her head slowly from side to side. "A many things to see and sorrow for."

I half suspected the old people were trying to enhanve the spiritual terrors of their house by their droning insistence. I put down my empty glass on the table and looked about the room, and caught a glimpse of myself, abbreviated and broadened to an impossible sturdiness, in the queer old mirror at the end of the room. "Well," I said, "if I see anything tonight, I shall be so much the wiser. For I come to the business with an open mind."
"It�s your own choosing," said the man with the withered arm once more.
I heard the sound of a stick and a shambling step on the flags in the passage outside, and the door creaked on its hinges as a second old man entered, more bent, more wrinkled, more aged even than the first. He supported himself by a single crutch, his eyes were covered by a shade, and his lower lip, half averted, hung pale and pink from his decaying yellow teeth. He made straight for an arm-chair on the opposite side of the table, sat down clumsily, and began to cough. The man with the withered arm gave this new-comer a short glance of positive dislike; the old woman took no notice of his arrival, but remained with her eyes fixed steadily on the fire.
"I said - it�s your own choosing," said the man with the withered arm, when the coughing had ceased for a while.
"It�s my own choosing," I answered.

The man with the shade became aware of my presence for the first time, and threw his head back for a moment and sideways, to see me. I caught a momentary glimpse of his eyes, small and brigth and inflamed. Then he began to cough and splutter again.
"Why don�t you have a drink?" said the man with the withered arm, pushing the beer towards him. The man with the shade poured out a glassful with a shaky arm that splashed half as much again on the deal table. A monstrous shadow of him crouched upon the wall and mocked his action as he poured and drank. I must confess I had scarce expected these grotesque custodians. There is to my mind something inhuman in senility, something crouching and atavistic; the human qualitites seem to drop from old people insensibly day by day. The three of them made me feel uncomfortable, with their gaunt silences, their bent carriage, their evident unfriendliness to me and to one another.
"If," said I, "you will show me to this haunted room of yours, I will make myself comfortable there.

The old man with the cough jerked his head back so suddenly that it startled me, and shot another glance of his red eyes at me from under the shade; but no one answered me. I waited a minute, glancing from one to the other.
"If," I said a little louder, "if you will show me to this haunted room of yours, I will relieve you from the task of entertaining me."
"There�s a candle on the slab outside the door," said the man with the withered arm, looking at my feet as he addressed me. "But if you go to the red room to-night-"
("This night of all nights!" said the old woman.)
"You go alone."
"Very well," I answered. "And which way do I go?"
"You go along the passage for a bit," said he, "until you come to a door, and through that is a spiral staircase, and half way up that is a landing and another door covered with baize. Go through that and down the long corridor to the end, and the red room is on your left up the steps."
"Have I got that right?" I said, and repeated his directions. He corrected me in one particular.
"And are you really going?" said the man with the shade, looking at me again for the third time, with that queer, unnatural tilting of the face.
("This night of all nights!" said the old woman.)

"It is what I came for," I said, and moved towards the door. As I did so, the old man with the shade rose and staggered round the table, so as to be closer to the others and to the fire. At the door I turned and looked at them, and saw they were all close together, dark against the firelight, staring at me over their shoulders, with an intent expression on their ancient faces.
"Good-night," I said, setting the door open.
"It�s your own choosing," said the man with the withered arm.
I left the door wide open until the candle was well alight, and then I shut them in and walked down the chilly, echoing passage.

I must confess that the oddness of these three old pensioners in whose charge her ladyship had left the castle, and the deep-toned, old fashioned furniture of the housekeeper�s room in which they foregathered, affected me in spite of my efforts to keep myself at a matter-of-fact phase. They seemed to belong to another age, and older age, and age when things spiritual were different from this of ours, less certain; an age when omens and witches were credible, and ghosts beyond denying. Their very existence was spectral; the cut of their clothing, fashions born in dead brains. The ornaments and conveniences of the room about them were ghostly - the thoughts of vanished men, which still haunted rather than participated in the world of to-day. But with an effort I sent such thoughts to the right-about. The long, draughty subterranean passage was chilly and dusty, and my candle flared and made the shadows cower and quiver. The echoes rang up and down the spiral staircase, and a shadow came sweeping up after me, and one fled before me into the darkness overhead. I came to the landing and stopped there for a moment, listening to a rustling that I fancied I heard; then, satisfied of the absolute silence, I pushed open the baize-covered door and stood in the corridor.

The effect was scarcely what I expected, for the moonlight, coming in by the great window on the grand staircase, picked out everything in vivid black shadow or silvery illumination. Everything was in its place: the house might have been deserted on the yesterday instead of eighteen months ago. There were candles in the sockets of the sconces, and whatever dust had gathered on the carpets or upon the polished flooring was distributed so evenly as to be invisible in the moonlight. I was about to advance, and stopped abruptly. A bronze group stood upon the landing, hidden from me by the corner of the wall, but its shadow fell with marvellous distinctness upon the white panelling, and gave me the impression of someone crouching to waylay me. I stood rigid for half a minute perhaps. Then, with my hand in the pocket that held my revolver, I advanced, only to discover a Ganymede and Eagle glistening in the moonlight. That incident for at time restored my nerve, and a procelain Chinaman on a buhl table, whose head rocked silently as I passed him, scarcely startled me.

The door to the red room and the steps up to it were in a shadowy corner. I moved my candle from side to side, in order to see clearly the nature of the recess in which I stood before opening the door. Here it was, thought I, that my predecessor was found, and the memory of that story gave me a sudden twinge of apprehension. I glanced over my shoulder at the Ganymede in the moonlight, and opened the door of the red room rather hastily, with my face half turned to the pallid silence of the landing.

I entered, closed the door behind me at once, turned the key I found in the lock within, and stood with the candle held aloft, surveying the scene of my vigil, the great red room of Lorraine Castle, in which the young duke had died. Or, rather, in which he had begun his dying, for he had opened the door and fallen headlong down the steps I had just ascended. That had been the end of his vigil, of his gallant attempt to conquer the ghostly tradition of the place; and never, I thought, had apoplexy better served the ends of superstition. And there were other and older stories that clung to the room, back to the half-credible beginning of it all, the tale of a timid wife and the tragic end that came to her husband�s jest of frightening her. And looking around that large shadowy room, with its shadowy window bays, its recesses and alcoves, one could well understand the legends that had sprouted in its black corners, its germinating darkness. My candle was a little tongue of flame in its vastness, that failed to pierce the opposite end of the room, and left an ocean of mystery and suggestion beyond its island of light. I resolved to make a systematic examination of the place at once, and dispel the fanciful suggestions of its obscurity before they obtained a hold upon me. After satisfying myself of the fastening of the door, I began to walk about the room, peering round each article of furniture, tucking up the valances of the bed, and opening its curtains wide. I pulled up the blinds and examined the fastenings of the several windows before closing the shutters, leant forward and looked up the blackness of the wide chimney, and tapped the dark oak panelling for any secret opening. There were two big mirrors in the room, each with a pair of sconces bearing candles, and on the mantelshelf, too, were more candles in china candlesticks. All these I lit one after the other. The fire was laid, an unexpected consideration from the old housekeeper - and I lit it, to keep down any disposition to shiver, and when it was burning well, I stood round with my back to it and regarded the room again. I had pulled up a chintz-covered armchair and a table, to form a kind of barricade before me, and on this lay my revolver ready to hand. My precise examination had done me good, but I still found the remoter darkness of the place, and its perfect stillness, too stimulating for the imagination. The echoing of the stir and crackling of the fire was no sort of comfort to me. The shadow in the alcove at the end in particular had that undefinable quality of a presence, that odd suggestion of a lurking, living thing, that comes so easily in silence and solitude. At last, to reassure myself, I walked with a candle into it, and satisfied myself that there was nothing tangible there. I stood that candle upon the floor of the alcove, and left it in that position.

By this time I was in a state of considerable nervous tension, although to my reason there was no adequate cause for the condition. My mind, however, was perfectly clear. I postulated quite unreservedly that nothing supernatural could happen, and to pass the time I began to string some rhymes together, Ingoldsby fashion, of the original legend of the place. A few I spoke aloud, but the echoes were not pleasant. For the same reason I also abandoned, after a time, a conversation with myself upon the impossibilty of ghosts and haunting. My mind reverted to the three old and distorted people downstairs, and I tried to keep it upon that topic. The sombre reds and blacks of the room troubled me; even with seven candles the place was merely dim. The one in the alcove flared in a draught, and the fire�s flickering kept the shadows and penumbra perpetually shifting and stirring. Casting about for a remedy, I recalled the candles I had seen in the passage, and, with a slight effort, walked out into the moonlight, carrying a candle and leaving the door open, and presently returned with as many as ten. These I put in various knick-knacks of china with which the room was sparsely adorned, lit and placed where the shadows had lain deepest, some on the floor, some in the window recesses, until at last my seventeen candles were so arranged that not an inch of the room but had the direct light of at least one of them. It occurred to me that when the ghost came, I could warn him not to trip over them. The room was now quite brightly illuminated. There was something very cheery and reassuring in these little streaming flames, and snuffing them gave me an occupation, and afforded a helpful sense of the passage of time. Even with that, however, the brooding expectation of the vigil weighed heavily upon me. It was after midnight that the candle in the alcove suddenly went out, and the black shadow sprang back to its place there. I did not see the candle go out; I simply turned and saw that the darkness was there, as one might start and see the unexpected presence of a stranger. "By Jove!" said I aloud; �that draught�s a strong one!� and taking the matches from the table, I walked across the room in a leisurely manner to relight the corner again. My first match would not strike, and as I succeeded with the second, something seemed to blink on the wall before me. I turned my head involuntarily, and saw that the two candles on the little table by the fireplace were extinguished. I rose at once to my feet.

"Odd!" I said. "Did I do that myself in a flash of absent-mindedness?"
I walked back, relit one, and as I did so, I saw the candle in the right sconce of one of the mirrors wink and go right out, and almost immediately its companion followed it. There was no mistake about it. The flame vanished, as if the wicks had been suddenly nipped between a finger and thumb, leaving the wick neither glowing nor smoking, but black. While I stood gaping, the candle at the foot of the bed went out, and the shadows seemed to take another step towards me.

"This won�t do!" said I, and first one and then another candle on the mantelshelf followed. "What�s up?" I cried, with a queer high note getting into my voice somehow. At that the candle on the wardrobe went out, and the one I had relit in the alcove followed.

"Steady on!" I said. "These candles are wanted," speaking with a half-hysterical facetiousness, and scratching away at a match the while for the mantel candlesticks. My hands trembled so much that twice I missed the rough paper of the matchbox. As the mantel emerged from darkness again, two candles in the remoter end of the window were eclipsed. But with the same match I also relit the larger mirror candles, and those on the floor near the doorway, so that for the moment I seemed to gain on the extinctions. But then in a volley there vanished four lights at once in different corners of the room, and I struck another match in quivering haste, and stood hesitating whither to take it.

As I stood undecided, an invisible hand seemed to sweep out the two candles on the table. With a cry of terror, I dashed at the alcove, then into the corner, and then into the window, relighting three, as two more vanished by the fireplace; then, perceiving a better way, I dropped the matches on the iron-bound deedbox in the corner, and caught up the bedroom candlestick. With this I avoided the delay of striking matches; but for all that the steady process of extinction went on, and the shadows I feared and fought against returned, and crept in upon me, first a step gained on this side of me and then on that. It was like a ragged storm-cloud sweeping out of the stars. Now and then one returned for a minute, and was lost again. I was now almost frantic with the horror of the coming darkness, and my self-possession deserted me. I leaped panting and dishevelled from candle to candle in a vain struggle against that remorseless advance. I bruised myself on the thigh against the table, I sent a chair headlong, I stumbled and fell and whisked the cloth from the table in my fall. My candle rolled away from me, and I snatched another as I rose. Abruptly this was blown out, as I swung it off the table, by the wind of my sudden movement, and immediately the two remaining candles followed. But there was light still in the room, a red light that stayed off the shadows from me. The fire! Of course I could still thrust my candle between the bars and relight it!
I turned to where the flames were still dancing between the glowing coals, and splashing red reflections upon the furniture, made two steps towards the grate, and incontinently the flames dwindled and vanished, and as I thrust the candle between the bars darkness closed upon me like the shutting of an eye, wrapped about me in a stifling embrace, sealed my vision, and crushed the last vestiges of reason from my brain. The candle fell from my hand. I flung out my arms in a vain effort to thrust that ponderous blackness away from me, and, lifting up my voice, screamed with all my might - once, twice, thrice. Then I think I must have staggered to my feet. I know I thought suddenly of the moonlit corridor, and, with my head bowed and my arms over my face, made a run for the door.

But I had forgotten the exact position of the door, and struck myself heavily against the corner of the bed. I staggered back, turned, and was either struck or struck myself against some other bulky furniture. I have a vague memory of battering myself thus, to and fro in the darkness, of a cramped struggle, and of my own wild crying as I darted to and fro, of a heavy blow at last upon my forehead, a horrible sensation of falling that lasted an age, of my last frantic effort to keep my footing, and then I remember no more.

I opened my eyes in daylight. My head was roughly bandaged, and the man with the withered arm was watching my face. I looked about me, trying to remember what had happened, and for a space I could not recollect. I rolled my eyes into the corner, and saw the old woman, no longer abstracted, pouring out some drops of medicine from a little blue phial into a glass. "Where am I?" I asked; "I seem to remember you, and yet I cannot remember who you are."

They told me then, and I heard of the haunted red room as one who hears a tale. "We found you at dawn," said he, "and there was blood on your forehead and lips."
It was very slowly I recovered my memory of my experience. "You believe now," said the old man, "that the room is haunted?" He spoke no longer as one who greets an intruder, but as one who grieves for a broken friend.
"Yes," said I; "the room is haunted."
"And you have seen it. And we, who have lived here all our lives, have never set eyes upon it. Because we have never dared ... Tell us, is it truly the old earl who - "

"No,� said I; �it is not."
"I told you so," said the old lady, with the glass in her hand. "It is his poor young countess who was frightened - "
"It is not," I said. "There is neither ghost of earl nor ghost of countess in that room, there is no ghost there at all; but worse, far worse - "
"Well?" they said.
"The worst of all the things that haunt poor mortal man," said I; "and that is, in all its nakedness - Fear! Fear that will not have light nor sound, that will not bear with reason, that deafens and darkens and overwhelms. It followed me through the corridor, it fought against me in the room - "

I stopped abruptly. There was an interval of silence. My hand went up to my bandages. Then the man with the shade sighed and spoke. "That is it," said he. "I knew that was it. A power of darkness. To put such a curse upon a woman! It lurkes there always. You can feel it even in the daytime, even of a bright summer�s day, in the hangings, in the curtains, keeping behind you however you face about. In the dusk it creeps along the corridor and follows you, so that you dare not turn. There is Fear in that room of hers - black Fear, and there will be - so long as this house of sin endures.�


From the Twilight Harbor



Saturday, June 12, 2010

Helon Habila's Irekefe Island and His Latest Novel



Helon Habila says that telling stories in a non-linear way is in some ways similar to the way the human brain works.

Measuring Time: A Novel ~ Helon Habila

Waiting for An Angel: Fiction ~ Helon Habila

Habila with award winning Canadian novelist Madeleine Thien and the popular Jamaican writer Colin Channer will be mentoring a selection of promising writers in Nigeria at the next Fidelity Bank International Creative Writing Workshop coming up in Abuja from July 16-22, 2010. Click here for more details on how to participate in the workshop and meet Helon Habila live.

The following is an excerpt from his latest short story and the synopsis of his latest novel. Enjoy.


Irekefe Island
~ By Helon Habila

Only subscribers of the Virginia Quarterly Review may read this in its entirety. What follows is a free preview, truncated midway through.

Boma was alone when I got home in the evening, and I could tell she had been crying. I had gone straight to the office to write my report for tomorrow’s paper, my legs still wobbly from standing all afternoon on the ferry. We had made so many stops on the way that I had begun to think we were never going to reach Port Harcourt; we had picked up women carrying chickens in baskets and crabs in buckets and leading squealing goats by ropes around the neck on their way to the market. The air in the ferry’s central lounge soon grew foul, forcing me to abandon my seat next to a fat, laughing, gesticulating woman and her two children to stand outside by the rail, my eyes focused on the receding coastline, my mind contemplating what awaited me in Port Harcourt.

Boma was seated in my wicker armchair, facing the TV, but in such a way that her profile showed the undamaged side of her face, and even when she looked up as I entered she still managed to keep the burnt, badly healed side hidden. She did it unconsciously, but the scar always dictated how she stood, how she sat. It made me sad when she did that. How could I tell her that she really needn’t do that with me? Only with John, her husband, was she ever able to sit without regard to where the light fell. But two months ago John had left her, and now she had taken to stopping by more often, even when I wasn’t around. She’d clean the dishes and cook and sweep the room, but sometimes she just sat and cried.

Today her bags and crockery and TV and other household things were heaped in a corner of my tiny living room.

—The landlord kicked me out.

She lived in a tenement house similar to mine, in a room-and-parlour, owned by the same hard-faced, unsmiling landlord. The landlord had started hanging around outside their door soon after John, who worked as a mail sorter till six months ago when the courier company closed down, had lost his job. Since Boma was only a trainee typist and didn’t receive a salary, I had shared my monthly pay with them, knowing that they had only me to turn to as I had only them. I went to the bathroom and when I came back she stood up and went to the stove and dished out some rice for me.

When the silence grew too heavy, even with the TV on, I told her of the kidnapping, and the devastated island. When I got to the dead bodies, she burst into tears.

—The poor people, they could be anyone, just anyone.

I knew she was thinking of John. He had become very political, hanging out in backstreet barrooms with other unemployed youths to play cards and drink all day, always complaining about the government. He had been full of anger before he left, the kind of anger that often pushed one to blaspheme, or to rob a bank, or to join the militants. I had seen that kind of anger in many of my friends before, people I went to school with; some of them were now in the forests with the fighters, some of them had made millions from ransom money, but a lot of them were dead.

—Boma, John has more sense than that.

John had married her when others had cringed and recoiled at the sight of her red, constantly watery eyes and curdled cheeks. We had grown up together, the three of us; fought the bullies together in primary and secondary school, parting only when I left home, the first time to become a photographer’s apprentice in Port Harcourt, the second time for journalism school in Lagos. At first I thought John had stuck to Boma out of pity, and I resented him for it; I really truly believed only when I saw the exchange of rings, and the joy on my sister’s damaged face.

She slept on the bed and I spread a blanket on my old and tattered carpet in the living room after moving some of her things into the bedroom. Boma went to sleep immediately, but I couldn’t sleep, and when I got sore from endlessly tossing and turning, I turned on the TV and watched a science fiction movie about a submerged world. The polar ice cap has melted and land has sunk under water and is now only talked about in legends. The star is a hated mutant, with gills and webbed feet, and he is clever with contraptions and devices. In one scene he takes the heroine under water in a bell jar and shows her an inundated city. This is it, he tells her, there is no dry land, so quit hoping. There are long and beautiful shots of endless ocean, with only the mariner’s frail boat on it, dwarfed by the liquid blue vastness of the ocean. I fell asleep with the movie still playing, thinking there was something sad about people who were born and lived and died on water, on rusty ships and boats and fantastic balloons, their days and nights filled with the hope of someday finding dirt, their wars and industries and relationships and culture all driven by the myth of dry land.

The Reporter was a moderate, middlebrow daily occupying the two bottom floors in a five floor building in central Port Harcourt. The paper had been in existence for over seven years now, and in that time the staff had grown from twenty to two hundred, the print run from one thousand to over ten thousand. It was owned by Godwin Amaechi, “Chairman” to his employees, a seventy-year-old veteran journalist who still came to the office earlier than everyone else and stayed till 10 p.m. after the next day’s issue had been put to bed. He controlled every aspect of the paper, from its accounts to its editorials, with a dictator’s hand, albeit a benevolent one. I had seen colleagues who were currently out of favor duck into a doorway at his approach; I had seen line editors make a sign of the cross before going into his office for a meeting. At midday, every day except Sundays when he stayed home, he’d carry out what we privately called the “ceremonial inspection of the guards,” starting from the long, rectangular newsroom where he’d accordingly chastise or praise a deserving reporter, and ending up at the dining room on the ground floor an hour later. For the next hour he’d sit at the head of the table, surrounded by editors and other senior staff, each doing his best to outshine the other in suggesting ingenious story ideas. The day’s favorite reporter usually sat to the Chairman’s right at those grim lunches—an honor said to be painful as torture.

Today, for the first time, I was experiencing it. For over an hour I answered the Chairman’s questions, giving as many details as I could, hardly blinking, hardly breathing, mostly swallowing without chewing, gulping down mouthfuls of water to stop myself from choking on my pounded yam. Now I understood why some colleagues called these lunches “The Last Supper.”

—You have done a great job. Good pictures.

—Thank you sir.

—And tell me about Zaq. I understand you were there with him?

He waved the morning paper which carried my article.

—Yes. He was very helpful. He is still out there, on Irikefe Island. He needed the break.

—I knew him, once. We used to work for the same paper. But that was a long time ago.

The kidnapping, which had receded to the inside pages over the past couple of days, had inched back to the front page once again, mainly because of the violent gun battle on the island. Some of the men, like Nkem at the Globe, speculated in their report that Mrs. Floode might be dead, using garish pictures of dead bodies and burning huts to support their speculation. My story, which the Reporter brought out in a special edition, had captured more attention than the other reports, perhaps because I had referenced and quoted Zaq a lot, and also because, due to my training, I knew how to use pictures better than the other reporters. The shrill urgency and tragedy that my text tactfully refrained from mentioning, I used my close-ups to convey with twice the impact. That morning two Reuters reporters, after reading my story, came to the newsroom to chat with me.

After the meal, which I could still feel suspended in a hard lump between my chest and my stomach, I sat in the deserted newsroom to recover. Most of the reporters were out on their beats and would only start trickling in late in the afternoon to write down their pieces for tomorrow. When I felt the strength return to my legs, I stood up and crossed over to the editor’s office. I found him seated behind his desk, the fan in the corner focused directly at his face, his tie loosened, exposing his lumpy neck, a toothpick stuck between his lips.

—Ah, here comes our star reporter. When are you going to see the husband?

—Right now. He is expecting me. I just came in to let you know . . .

—Go, go. Make sure you get a good interview.

—Well, he said no interviews, till after everything is over.

—Well, once it is over then it is over, isn’t it? Anyway, go get whatever you can out of him, then take the rest of the day off. Come back early on Monday and we’ll find a nice exciting assignment for you.

He stood up and shook my hand. His behavior toward me had dramatically changed since I’d returned from Irikefe.

—The Chairman is really pleased with you. He thinks you’ll make a good reporter. We shall see.

The Floodes lived in one of the many colonial style buildings on the Port Harcourt waterfront where most of the wealthy expatriate oil workers lived. It was hidden behind a tall, barbed wire-topped wall, and I passed two gates and about a half dozen security men talking to each other on radios before I finally saw Mr. Floode.

I was led in by a uniformed guard. We crossed a huge lawn to the front door, which the guard pushed open without pressing the bell. I followed him into a spacious living room dimly lit by shaded wall lamps, with an ornamental fan turning slowly in the center of the ceiling. We came out through a back door onto the patio where Floode waited, seated on a wicker chair, a cocktail on the glass table in front of him. He waved the guard away, then he stood up and took my hand.

—Thank you for coming, Mr. . . .

—Rufus.

—That is a good name. Is that a common name around here?

—I know a few.

He waved me to a sit.

—I haven’t been here long, you know. This is my second year in the country and I am still trying to understand the place and the people. I think Nigerians are very nice and hospitable . . .

—You think so, even after the kidnapping?

James Floode looked momentarily surprised at my directness, but I wanted to get to the point as quickly as possible. He sighed and his eyes turned dark as he reached forward and picked up his drink. He must have had a few before my arrival; his movement was slow and deliberate, just like his speech. So far he had refused to talk to the media, including his country’s media, apart from a few prepared comments about missing his wife and his hopes that the kidnappers would release her soon. I was aware how important this moment was, even though I was here by default.

—Tell me, are you married, Mr. Rufus?

—No. Please call me Rufus, it is also my first name. No, Mr. Floode. I am not married. I am only twenty-five.

—Call me James. Well, a lot of you chaps do marry rather early, is it not so? A few of the workers I know, very young, but they always talk about their families. Children and all.

—Yes, there are a lot who marry early.

He sighed again and went quiet, as though he had lost interest in that thread of talk.

—Let’s go inside. I’ll show you something.
Continue reading.


Synopsis
From the desks of Nigeria's newsrooms, two journalists are recruited to find the kidnapped wife of a British oil engineer. Zaq, an infamous media hack, knows what's in store, but Rufus, a keen young journalist eager to get himself noticed, has no idea what he's let himself in for.


Journeying into the oil-rich regions of South Africa, where militants rule and the currency dealt in is the lives of hostages, Rufus soon finds himself acting as intermediary between editor, husband, captive and soldier. As he follows the trail of the missing woman, the love for the 'story' becomes about much more than just uncovering her whereabouts, and instead becomes a mission to seek out and expose the truth. In a cruel twist of fate, Rufus finds himself taking on Zaq's role much more literally than he ever anticipated, and in the midst of a seemingly endless, harrowing war, he learns that truth can often be a bitter pill to swallow . . .

Format : Paperback
ISBN: 9780241144862
Size : 135 x 216mm
Pages : 224
Published : 05 Aug 2010
Publisher : Hamish Hamilton